August 20th, 2014Twelve Angry Men and Shakespeare’s Catholicismby Joseph Pearce
I've just received an e-mail from a correspondent in Australia about the play, Twelve Angry Men. The sort of evidence that is encapsulated in the paragraph he quotes is not only applicable to the case for Shakespeare's Catholicism but is the same principle for the evidence for Catholic Christianity that Newman employs in The Grammar of Assent. It's the healthy marriage of reason with common sense!
Here's the text of the e-mail:
I am currently teaching Twelve Angry Men to my two senior classes, and discovered this interesting online argument (http://www.avclub.com/article/did-i12-angry-meni-get-it-wrong-83245) about the evidence in the play. The author argues that the jury in Twelve Angry Men came up with the wrong verdict. The line of argument ties in well with your thesis about Shakespeare’s Catholicism – namely, each piece of evidence in a vacuum can be challenged; however, as a body of evidence, it is a compelling case.
The paragraph copied below encapsulates this idea.
None of this ultimately matters, however, because determining whether a defendant should be convicted or acquitted isn’t—or at least shouldn’t be—a matter of examining each piece of evidence in a vacuum. “Well, there’s some bit of doubt attached to all of them, so I guess that adds up to reasonable doubt.” No. What ensures The Kid’s guilt for practical purposes, though neither the prosecutor nor any of the jurors ever mentions it (and Rose apparently never considered it), is the sheer improbability that all the evidence is erroneous. You’d have to be the jurisprudential inverse of a national lottery winner to face so many apparently damning coincidences and misidentifications.